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#Notorious big ready to die censoring movie

Whatever the case, Maleficent-a live-action take on the studio's 1959 animated classic Sleeping Beauty-is an honorable enterprise, an often-gorgeous kids' movie featuring two strong female characters and dominated by Angelina Jolie in a performance of wonderfully silky restraint.

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So it's come to this-even the great Disney company is now plundering its fabled film archive for remake material. His jokes are the real star of the movie, but as an effort to deconstruct the traditional western-especially in the long shadow of Mel Brooks-they blaze no new trails. But he's a little doughy for a romantic lead, and he's not really an action man, either.

("Because we're Christians," she more than once explains.) These two good actors are kind of funny on first acquaintance, but increasingly less so on reappearing.Īs an actor, MacFarlane comes across as a clean-cut nice guy. Although Ruth makes her living at a barroom bordello, servicing up to 15 men a day, she refuses to have sex with Edward until they're married. MacFarlane has also mixed in a half-cocked subplot involving a prostitute named Ruth (Sarah Silverman) and her virginal fiance, the town shoe salesman Edward (Giovanni Ribisi).

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(Workers down in the local silver mine are dying of their own broken wind.) And as a director who's apparently been given free rein by his admiring producers (of whom he's one), he blithely pads out the movie with over-extended scenes-a generic horse chase, an unnecessarily long barn dance, and an even longer psychedelic dream sequence triggered by some sort of peyote potion administered to Albert by veteran Hollywood Indian Wes Studi.

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(After loading a pistol and lining up a row of tin cans for practice, he quips, "I'm about to shoot a full load on your cans.")įor a writer so famously clever, MacFarlane relies heavily here on that mustiest of comedic wheezes, the fart joke.

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Intent on helping her new friend to man-up, she teaches Albert how to shoot. Unfortunately for Albert-a thoroughly modern coward-Anna is actually the wife of the notorious outlaw Clinch Leatherwood (Liam Neeson), who soon gets word of her dalliance, and is not amused. Meanwhile, Albert, cowering amid the uproar of a set-piece saloon brawl, makes the acquaintance of a mystery woman named Anna (Charlize Theron, giving the funniest performance in the movie), who's newly arrived in town. She quickly moves on to the slickly mustachioed Foy (Neil Patrick Harris), prosperous owner of a wax-and-mirror emporium called the Mustachery. ("Everything out there that's not you wants to kill you," we're told.) The setting is an Arizona frontier town called Old Stump, where a timid sheep rancher named Albert (MacFarlane) has just been dumped by his prim girlfriend (Amanda Seyfried). The year is 1882, a time of humorless rectitude, primitive medicine, and murderous gunslingers. The story-a clothesline for all the one-liners-has a mild theme: the wretchedness of life in the Old West.

And since militant atheists are among the most evangelical of religious sects, he lobs passing pokes at hypocritical Christians and the cruel god they foolishly worship.Īll of which is fine, and sometimes funny-in a hyper-sensitive age, why shouldn't these groups be milked for laughs? But 40 years after Richard Pryor and George Carlin dive-bombed the proprieties of American comedy (and Mel Brooks first savaged the traditional western in Blazing Saddles), MacFarlane's wisecracks, delivered with standard "just kidding" faux-innocence, hardly qualify as bold.

Here, though, stepping into the spotlight and directing himself in a parody western he cowrote (with longtime collaborators Alec Sulkin and Wellesley Wild), his anachronistic joke-cracking persona seems too small-screen to anchor a full-scale movie.Īs for the jokes, they're "edgy" in a familiar MacFarlane way-out-of-the-blue gags about black people (a fairground shooting gallery uses metal simulations of runaway slaves as targets), Chinese laborers and American Indians ("Do they get their tickets from scalpers?"). Unfortunately, the flesh is weak.Īs he has demonstrated in the long-running Family Guy and his phenomenally successful 2012 film Ted, MacFarlane is an overflowingly talented comic writer and voice actor. Seth MacFarlane finally appears in the flesh in A Million Ways to Die in the West.